The Midas DL8 is a professional PoE-powered 8×8 digital stage box engineered to deliver pristine, low-latency audio expansion to modern digital setups. Optimized for seamless integration with WING, X32, and high-intensity touring rigs, it brings the legendary fidelity of genuine Midas PRO preamplifiers to a highly compact stage configuration.
Designed and engineered in England. Built in a robust, road-ready 2U steel configurations for uncompromised reliability on tour or permanent infrastructure layouts.
$520.00
The Midas DL8 is a compact, Power over Ethernet (PoE)-powered digital stage box that delivers legendary Midas preamp quality and flexible digital networking without requiring a single power outlet on stage. Designed for live performance, touring, and installed sound applications, the DL8 solves a persistent challenge in stage I/O infrastructure: how to get pristine microphone and line-level signals from the performers to the console quickly, reliably, and without the logistical burden of running power to multiple stage positions.
At its core, the DL8 houses 8 Midas PRO microphone preamplifiers—the same award-winning preamp design found in Midas’ flagship consoles. These preamps deliver an Equivalent Input Noise (EIN) of -125 dBu, Total Harmonic Distortion plus Noise below 0.006%, and Common Mode Rejection Ratio exceeding 75 dB . The result is transparent, low-noise capture of vocals, instruments, and any source you connect—whether you’re managing a festival stage or tracking a studio session.
The DL8 became available in May 2025 and represents the latest generation of Midas’ portable stage I/O solutions . Available now through Midas Console USA, each unit ships with the latest firmware installed and full manufacturer warranty coverage.
The Midas DL8 is a digital stage box that converts analog audio signals from the stage into digital data for transmission to a mixing console over a single Ethernet cable. What distinguishes it from conventional stage boxes is its Power over Ethernet capability: when connected to a compatible device such as the Midas HUB4 PRO, the DL8 receives both audio data and operating power through the same CAT5e cable .
This architecture eliminates a critical bottleneck in live sound deployments. Traditionally, every stage box requires its own power outlet on stage—often scarce, inconvenient, or entirely unavailable. With PoE, the DL8 draws power from the HUB4 PRO or a compatible PoE source, meaning no local power is required on stage . For touring productions, festival stages, and venues with limited power infrastructure, this is a transformative capability.
The DL8 also includes an internal switch-mode auto-range power supply (100–240V, 50/60Hz) for deployments where PoE is not available, providing redundancy and flexibility across different scenarios .
8 Midas PRO Microphone Preamplifiers with Combo Inputs
The DL8 provides 8 XLR/TRS combo inputs that accept both balanced XLR microphone connections and ¼-inch TRS line-level signals, eliminating the need for external DI boxes when connecting keyboards, playback devices, or other line-level sources . Each preamp is remotely controllable from the console, allowing engineers to adjust gain and phantom power from the FOH position without visiting the stage.
The preamp specifications reflect the DL8’s professional pedigree: input impedance of 5 kΩ unbalanced / 10 kΩ balanced, maximum input level of +23 dBu, and a frequency response of 10 Hz to 22 kHz ensure compatibility with the full spectrum of professional audio sources . The switchable +48V phantom power is available per channel, supporting condenser microphones and active DI boxes.
8 Electronically Balanced Line Outputs with Selectable Source
The DL8 provides 8 balanced XLR outputs on the rear panel. A three-position OUTPUT selector switch allows engineers to determine which group of AES50 channels feeds these physical outputs: channels 1–8, 9–16, or 17–24 . This is particularly valuable in multi-stage-box configurations, where each DL8 can receive a distinct set of output signals from the console, enabling independent monitor mixes or zone feeds without additional hardware.
Dual Powered Ultranet Outputs for Personal Monitoring
The DL8 features two Ultranet outputs (RJ45) that are powered, meaning they directly supply operating power to Behringer P16-M personal monitor mixers without requiring separate power supplies for each monitoring unit . Ultranet transmits up to 16 channels of 24-bit digital audio over standard CAT5 cable up to 75 meters, making it a proven, reliable standard for personal monitoring in live sound .
The Ultranet signal is derived from AES50-A channels 33–48, providing seamless integration with the broader ecosystem of over one million Ultranet-compatible products, including Turbosound powered loudspeakers and Behringer personal monitoring systems .
Dual AES50 SuperMAC Ports for Cascading Connectivity
The DL8 is equipped with two AES50 SuperMAC ports featuring Neutrik etherCON connectors, enabling daisy-chaining of up to three DL8 units to deliver 24 inputs and 24 outputs at the stage (or up to 48×48 when combined with larger stage boxes) . The AES50 protocol provides high channel counts, extremely low and deterministic latency (1.1 ms network I/O latency), accurate phase-aligned clock distribution, and network redundancy .
The first AES50 port (Port A) connects to the console (the clock master), while the second port (Port B) connects to additional stage boxes. Recommended cable length for AES50 is up to 80 meters using shielded CAT5e .
USB Port for Firmware Updates
A rear-panel USB Type-B port allows connection to a computer for system firmware updates, ensuring the DL8 can benefit from future feature enhancements and compatibility updates .
| Parameter | Specification |
|---|---|
| Mic/Line Inputs | 8 × XLR/TRS combo (Midas PRO preamps) |
| Phantom Power | +48V per channel, switchable |
| Input Impedance | 5 kΩ (unbalanced) / 10 kΩ (balanced) |
| EIN | -125 dBu (unweighted) |
| THD + Noise | < 0.006% (20 dB gain, 0 dBu out) |
| CMRR | > 75 dB (XLR, 20 dB gain) |
| Max Input Level | +23 dBu (XLR) |
| Frequency Response | 10 Hz – 22 kHz (0 dB to -1 dB @ 48 kHz) |
| Line Outputs | 8 × balanced XLR |
| Output Impedance | 50 Ω (unbalanced) / 100 Ω (balanced) |
| Max Output Level | +21 dBu |
| A/D-D/A Conversion | 24-bit @ 44.1/48 kHz, 114 dB dynamic range |
| Network I/O Latency | 1.1 ms (stagebox in > console > stagebox out) |
| AES50 Ports | 2 × Neutrik etherCON (2 × 48 channels bidirectional) |
| AES50 Cable Length | Up to 80 m recommended (shielded CAT5e) |
| Ultranet Outputs | 2 × RJ45, powered |
| Ultranet Channels | 16 (from AES50-A ch 33–48) |
| Ultranet Cable Length | Up to 75 m |
| USB | Type-B (firmware updates) |
| Power (PoE) | AES50-A PoE (IEEE 802.3at) |
| Power (Internal) | Switch-mode auto-range, 100–240V (50/60Hz) |
| Dimensions (W×D×H) | 333 × 149 × 95 mm |
| Weight | 2.5 kg |
| Rack Units | 2U (19-inch rack kit included) |
| Chassis | Rugged steel construction |
Specifications compiled from manufacturer documentation and authorized dealer listings .
PoE-Powered Stage I/O with HUB4 PRO
The DL8’s most distinctive deployment is in conjunction with the Midas HUB4 PRO, which provides PoE power and audio networking to up to four DL8 stage boxes via ports 1–4 . In this configuration, no power outlets are needed on stage—the HUB4 PRO powers the DL8 units directly through the CAT5e cable. The HUB4 PRO also provides 16 balanced analog outputs for IEM transmitter feeds, creating a complete monitor and stage I/O solution in a compact rack .
Sub-Snake Replacement
For bands and engineers seeking to eliminate bulky analog sub-snakes, the DL8 provides a compact alternative. A single DL8 can replace a 16-channel analog snake, delivering 8 mic inputs and 8 line outputs over one CAT5e cable. The combo inputs eliminate the need for separate DI boxes when connecting keyboards, samplers, or playback devices .
Console Expansion for WING and X32
The DL8 is designed to integrate seamlessly with Behringer WING consoles and Midas/Behringer X32/M32 platforms via AES50. Engineers can add 8 remote-controlled mic inputs and 8 line outputs to their existing console setup without replacing their entire I/O infrastructure. The DL8’s compact form factor makes it particularly attractive for WING Rack users seeking portable expansion.
Multi-Stage-Box Configurations
Using the dual AES50 ports, up to three DL8 units can be daisy-chained, providing 24 inputs and 24 outputs at the stage . The OUTPUT selector switch allows each DL8 in the chain to receive distinct output signals, enabling independent monitor sends to different stage positions.
Note: CAT5e cables and HUB4 PRO are not included and must be purchased separately.
Step 1: Rack Mounting
Secure the DL8 in a standard 19-inch rack using the included rack ears. The unit occupies 2U of rack space .
Step 2: Power Connection
For PoE operation, connect the AES50-A port to a compatible PoE source (such as HUB4 PRO) using a shielded CAT5e cable. The DL8 will power on automatically. For standalone operation, connect the included IEC power cable to a standard outlet.
Step 3: Connect Audio Sources
Connect microphones to the XLR inputs or line-level sources to the ¼-inch TRS inputs. Ensure +48V phantom power is enabled from the console for condenser microphones.
Step 4: Connect Outputs
Connect powered speakers, IEM transmitters, or other destinations to the 8 XLR outputs. Set the OUTPUT selector switch to the appropriate channel group based on your routing requirements.
Step 5: Ultranet Monitoring (Optional)
Connect P16-M personal monitor mixers to the ULTRANET ports using CAT5e cable. The ports provide power to the P16-M units directly, eliminating the need for individual power supplies .
Step 6: AES50 Networking
Connect the AES50-A port to your console’s AES50 port. For cascading additional stage boxes, connect AES50-B to the next device in the chain.
Step 7: Firmware Updates (As Needed)
Connect a computer to the USB Type-B port to check for and install firmware updates.
Important: Always connect the console (clock master) to AES50 Port A. Additional stage boxes connect to Port B. Changes to the AES50 chain should not be made during active audio transmission.
Operating Environment: The DL8 is designed for use in professional audio environments with ambient temperatures up to 45°C (113°F) . Do not expose the unit to rain, moisture, or excessive humidity. Do not install near heat sources such as radiators, heat registers, or amplifiers that produce significant heat.
Ventilation: Allow adequate ventilation around the equipment and ensure that vents are not obstructed. Avoid mounting the DL8 directly above power amplifiers or other devices that radiate significant heat .
Electrical Safety: The DL8 contains no user-serviceable components. Do not remove the chassis cover. All servicing should be referred to qualified personnel. When using the internal power supply, ensure the IEC cable is fully seated and the outlet is properly grounded.
PoE Considerations: Only connect the DL8’s AES50-A port to PoE sources that comply with IEEE 802.3at standards. Connecting to non-compliant PoE devices may result in damage to the DL8 or the power source .
Storage: When not in use, store the DL8 in a dry, temperature-controlled environment. The rugged steel chassis protects the unit during transport, but avoid dropping or subjecting it to excessive mechanical shock.
Cleaning: Use a slightly damp cleaning cloth or soft, dust-free cloth to remove fingerprints. Dust in hard-to-reach places is best removed with compressed air .
Shipping: Products shipped from Midas Console USA are packaged in reinforced cartons with protective foam inserts to ensure safe transit. Standard shipping timelines apply within the continental United States. Expedited shipping options are available at checkout.
Warranty: The Midas DL8 is covered by a manufacturer’s warranty protecting against defects in materials and workmanship under normal use . Warranty terms and duration are specified in the documentation included with your purchase. For warranty claims, contact Midas Console USA customer support with your proof of purchase and a description of the issue.
24/7 Customer Support
Our support team is available around the clock to assist with pre-sale questions, technical troubleshooting, and post-purchase inquiries. Whether you need help configuring your AES50 network, understanding PoE requirements, or selecting the right stage box for your setup, we’re here to help.
Product Replacement
If your DL8 arrives damaged or develops a defect covered under warranty, we facilitate prompt replacement to minimize downtime. Contact us with details of the issue and we will guide you through the process.
Authenticity Guarantee
Every Midas DL8 sold through Midas Console USA is a genuine product sourced through authorized distribution channels. We stand behind the authenticity of every item we sell.
Technical Consultation
Not sure whether the DL8 is the right stage box for your console? Our technical team can review your existing equipment, console model (WING, X32, M32, or others), and I/O requirements to recommend the optimal configuration for your needs.
Complaint Handling
We take customer satisfaction seriously. If you experience any issue with your order or product, our dedicated resolution team will work to address your concern promptly and professionally.
Purchasing the DL8 through Midas Console USA is straightforward. Add the product to your cart, complete checkout using our secure payment system, and receive order confirmation with tracking information. For bulk orders, systems integration projects, or dealer inquiries, contact our sales team directly.
Payment Options: We accept major credit cards, debit cards, and other standard payment methods. All transactions are processed through secure, encrypted channels.
Legal Considerations: The DL8 is a professional audio device intended for use by qualified personnel. Ensure compliance with local regulations regarding electrical equipment and electromagnetic compatibility. AES50 and Ultranet are proprietary technologies; usage is subject to the terms and conditions of the respective technology providers.
No. When connected to a compatible PoE source (such as HUB4 PRO), the DL8 receives both power and audio data through the CAT5e cable. No local power outlet is required on stage.
Shielded CAT5e cable runs up to 80 meters are supported for AES50 connections.
Up to three DL8 units can be daisy-chained via the dual AES50 ports, delivering 24 inputs and 24 outputs at the stage.
Yes. The two Ultranet RJ45 ports provide power to connected Behringer P16-M personal monitor mixers, eliminating the need for individual power supplies.
Yes. The DL8 connects to X32 via AES50 and is recognized as a compatible stage box. It provides 8 remote-controlled mic inputs and 8 line outputs.
The DL8 provides 8 inputs and 8 outputs in a compact 2U chassis with combo inputs, while the DL16 offers 16 inputs and 8 outputs in a larger form factor. The DL8’s combo inputs eliminate the need for DI boxes for line-level sources.
Yes. An IEC power cable is included for use with the internal switch-mode power supply. PoE operation requires a compatible PoE source (HUB4 PRO or equivalent).
Connect a computer to the rear-panel USB Type-B port and follow the firmware update procedure provided by Midas.
The DL8 provides standard +48V phantom power, switchable per channel from the console.
Yes. The DL8 occupies 2U of rack space and includes rack mounting ears.
“I bought the DL8 as an expansion to my DL32. I use it as a subcore for the keyboard rig—two keyboards stereo, a sampler stereo, vocal mic, and reserve. It replaces an analog sub-snake. The combo jacks save me from bringing DI boxes, and the cable IEM bodypack connects directly to the XLR outputs. Sound-wise, I can’t fault it—no difference between the DL8 and DL32.” — Verified Thomann Customer
“I needed more audio inputs for my Behringer WING Fullsize. The DL16 seemed too large for my needs, so I chose the DL8 and made the right decision. The stage box is small and handy, equipped with Midas preamps. The combo jacks are an advantage over the DL16.” — Verified Thomann Customer
“I use this digital stage box together with my Behringer WING to feed the DSP of FIR DSP408 speakers and up to 5 front stage monitors. I’ve done three events with this configuration and the PA sound is crystal clear—with a 30m CAT8 cable I’ve had zero problems.” — Verified Thomann Customer
“Works great! I’ve used it with my X32 for a couple of shows now and it’s been working great. I appreciate having a simpler stage box with minimal UI and a small footprint on stage. Will likely acquire another in the future.” — Braden, Sweetwater Customer
Choosing the right stage box is about more than specifications—it’s about reliability, support, and knowing you have a partner when issues arise. Midas Console USA provides:
Whether you’re building a PoE-powered stage I/O system with HUB4 PRO, expanding an existing WING or X32 setup, or replacing a bulky analog sub-snake, the DL8 delivers the preamp quality, connectivity flexibility, and compact form factor that professional productions demand.
Midas, AES50, and Ultranet are trademarks or registered trademarks of their respective owners. Specifications subject to change without notice. This content is provided for informational purposes and does not constitute a binding offer or warranty.
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